Monday, June 13, 2005

 

NXNE: Post-Craziness



Kicking it live: The Grates (top) and Montreal's Pony Up!

Physical State: hot, Hot, HOT!
Mental State: sluggish
Music: Black Mountain - s/t (damn awesome!)
Fashion sense: white t-shirt, black shorts

This year's NXNE (North By Northeast) Music Festival was a bit lacklustre for me with a few exceptions. Mostly I spent time in lines trying to get to see bands rather than seeing them. As an example, on Friday night two friends from Ottawa and I stood outside The Gladstone Hotel trying to get in to see the much-hyped and Runaways by way of Blondie all girl band Magneta Lane from Toronto. (My advice, don't see Toronto bands at NXNE when they'll be playing in the next few weeks, I'll never learn). Well when we arrived there (almost a half an hour before the show) we were greeted by the thing that's becoming really annoying at the fest as the years go by, the dreaded industry pass vip line. I say line but it's more like "oh industry pass? Your majesty, go right in you won't have to wait one minute". So a hyped-up show gets a huge lineup for a small venue with real music fans standing in line getting more and more frustrated by the minute as pass holders get in before them. These record executives and "industry people" (this is all a relative term when one person has the pass and their entourage of 5-6 Williamsburg wanna-bes tag along and all get in before us). I call bullshit on this cronyism trend and the security people who put up with these ego-centric assholes who act like children if they don't get their buds in. If you have a pass you get in before the wristband people, fine...them's the rules. No wristband or industry pass...back of the line kid! I don't care who you're here with or who you know (or say you know). One thing I also realized while standing in this line is that you shouldn't go see a band that gets written up in the Now magazine as the critic's pick, it almost guarantees you'll be screwed for entry. I say go see that hardworking little obscure band from Japan and have some fun instead. It's better to get caught unaware and have an adventure. Also you shouldn't go see a band that are playing anywhere near the Drake Lounge (where industry pass people emerge from, go check out your band for 5 minutes and then shuffle back to the Drake to drink more record company-expensed martinis). Jeez if you're getting into a bar to see a band with your pass then give the band some respect and stay for a few songs will ya? A lot of the pass holder people I saw were from Much Music (and when was the last time that Much Music gave two shits about indie rock...oh yes their token 1 HOUR every week called The Wedge, right I forgot). The VIP "scene" aspect of the fest really ruins it for the people who are geniune and open-minded music fans who just want to discover new artists. Ultimately it's these average joes like me who buy this indie music over J-lo, so we deserve some respect too.

But I digress. As sad as it is sometimes when you're a fan of a band and really want to see them at the Festival and can't because you aren't "moving units" of Shitney Spears, every once in awhile you catch a break and you DO get to see some damn fine talent. Case in point. I was caught totally unaware by a little band from Brisbane, Australia called The Grates who totally kicked my ass and made up for this generally very uneventful festival. They seem to be a bit famous back home, down under. I'm not suprised by this. This young trio are akin to The Yeah Yeah Yeahs in their spirit and and energy and still young enough to not have Brooklyn stylists dressing them as they pull sly rock moves. Sorry Karen O you rock and I love ya but you've got it all down to a science now methinks. It's refreshing to see a fresh young band just doing their thing and kicking your ass in the process.

These kids just enjoyed every moment of their time on stage and it made it fun for people watching the show. Patience, The Grates lead singer, may take the indie rock crown for the performer who has the most energy I have ever seen all while maintaining the most endearing smile as she shook around like an electrocuted cat. If you have a chance to see this young band before they grace the cover of Spin and end up doing 1 million dollar videos with David LaChappelle, go see 'em. I have never been as impressed by a band who had such a good time just "living in the moment". I also think their songs kick ass in all their ragged, unpolished glory, totally free of posturing and bullshit. They're doing it because it's fun, not because they need to prove anything. These guys were tight and were the perfect band that lives up to the spirit of what NXNE is supposed to be all about: the discovery of new and interesting talent that are looking for distribution deals. The world is going to be a better place when more people can hear The Grates I believe. You heard it here, these kids will be big.

At the same time I would like to give a nod to my new favourite all-girl band of the moment from Montreal, Pony Up!. I found them very endearing if incredibly Cub/ALL Girl Summer Fun Band/Tiger-Trap like. Montreal, qu'est-ce que le fuck? Why do keep turning out so many cool pop gems lately? Must be something in the poutine, n'est-ce pas? Maybe it was the a/c in the club (a very welcome relief) or their simple yet cutely off-tune songs but I was in love that night. Pony Up! made my NXNE experience this year a bit more memorable too and I overheard a guy behind me saying as I left "I saw 6 bands so far tonight and these girls were better than all of them combined." True dat.

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